I, too, have heard that picture books will fall at the feet of e-readers and that the era of the printed picture book is dead. But to paraphrase Mark Twain, "Reports of their death have been greatly exaggerated."
Want proof that picture books are alive and well? Check out some of the latest Scholastic titles to hit the shelves. These are the types of books that beg to be read in their original large-size format. These are also the types of books that prove that the language of picture books is just as challenging as equivalent-grade (or higher!) chapter books.
In the tradition of The Steadfast Toy Soldier, Captain Sky Blue tells the tale of a favorite toy that once lost, finds its way back to its owner through a series of misadventures. In addition to Richard Egielski's bright illustrations, young readers will love the "pilot talk" liberally mixed throughout the narrative. Aviation terms such such as wilco (I will do it), jink (a quick move to escape danger), spooled up (excited), and brain housing group (a comic term for the skull) introduce students to the idea that jobs and activities have a specialized jargon all their own.
- Ask students to interview parents or other relatives to collect a list of terms which are job specific. Share these in class and discuss why people have developed these lexicons within their vocations. Students may want to share other precise terms they know from sports, music, and other free-time pursuits.
- Assign students a term for research. To what activity or vocation does it refer? What are its origins? Hat trick, for example, refers to three points or consecutive wins by the same player, whether in ice hockey, cricket, or horse racing. Its origin is the hat traditionally bestowed for this accomplishment in cricket (via Wordnik, a pretty cool online dictionary).
- Two themes of Captain Sky Blue are Loss and Determination. Share and discuss other books which explore either of these themes. Challenge students to write their own tales, using one of the mentor texts as a model.
Author Robert D. San Souci describes his source material in an afterward, and I'm pleased to see that he references Howard Pyle. Howard Pyle's retellings are those that I read as a boy, and to this day my ragged copy is a part of the classroom library. But E.B. Lewis' saturated illustrations make this tale new even for me, and I can't wait to share this book with my students.
- Ask students if they can name other books in which one character devises a plan or mischief to catch another. Why are these stories such fun to read? What makes us root for one character or another? Why in this book did Robin Hood reveal his identity to the Sheriff of Nottingham instead of maintaining the ruse?
- Share other Robin Hood tales with students. Equally famous is Robin's chance meeting with Little John at the middle of a log crossing a stream. Neither man will give way. After reading this tale, ask students: What else could they have done to solve this problem? Can anyone suggest a possible compromise? If they hadn't disagreed in this manner, would their resulting friendship have been as strong?
In his own words:
While the lesson of this book (kindness wins over odiousness) might be a selling point for some, it's the language that wins me over.
- Use this book to introduce students to adjectives and adverbs. I'll admit, at first I was staggered by the words Juster employs, yet they work! How do I know? My first read through was with my seven year-old, who selected the book from the stacks of dozens beside my desk. As she listened to me read the book aloud, she didn't know what several of the terms meant, yet she "felt" what they meant, and she only asked me about a couple of them in a second reading. Truly a testimony for the power of learning vocabulary in context!
- Assign each student one of the book's wonderful words to research, define, use in a context sentence, and illustrate.
- If you haven't already done so, create a "Said is Dead" wall. Revisit The Odious Ogre to collect wonderful speaking tags such as whimpered, sobbed, offered, assure, grunted, admit, mumbled, and insisted. Then ask students to revisit a narrative of their own to revise the dialogue with more exacting language. Instead of she said sadly, a student might write: she lamented, she whined, she whispered with dismay. Each of these expresses sadness, but in different ways.
- Discuss the book's message. The book's last line reads, "She also understood that the terrible things that can happen when you come face-to-face with an Ogre can sometimes happen to the Ogre and not to you." What does that mean? Can this book teach us a lesson about how to respond to people who treat us with odious manners or words?