That's Disgusting! Can You Read It Again?

The inspiration for this post is Artie Bennett's new picture book, The Butt Book. It's a funny and informative look at one of our least celebrated body parts (read more about it below). But its very subject matter may be a turn-off to some who might ask, "Why share a picture book about the human bottom?"

As parents, teachers, librarians, and tutors, we know that finding the right book is the key to motivating a child to read. And sometimes, for certain kids, that means a book that is naughty or creepy or sometimes downright gross! So check out my suggestions below, and then keep on reading for extensions and recommended sites to take full advantage of what these books have to offer.

The dilemma of  just right books is central to the plot of Miss Brooks Loves Books by Barbara Bottner. Miss Brooks, a lover of books, is a librarian who always goes the extra mile, dressing as an elephant to read Babar, a monster to read Where the Wild Things are, and a jack-o-lantern to share Halloween books.

But our diminutive, contrary protagonist is unimpressed. Neither these antics, nor her peers' animated theatrics during Book Week, move Missy to read a book. Books that other children find fascinating are too flowery (fairies), too furry (dogs), too clickety (trains), or too yippity (cowboys) for Missy.

Mother tries to help as well, sharing books that Miss Brooks recommends, but even she reaches wit's end. Mother declares, "You're as stubborn as a wart."

Missy jolts to life. Warts? "I want to read a story with warts!" exclaims Missy. The natural choice for a book? Shrek, of course! Missy loves that Shrek has warts and hairs on his nose, and that he snorts! Miss Brooks is glad that her most reluctant reader has finally discovered a book she loves, and she promises Missy that she's still destined to find many more books that are "funny and fantastic and appalling."

The Butt Book is certainly funny and fantastic, and features a not-at-all-naughty and surprisingly academic tribute to our often overlooked posterior. Its clever rhymes and Mike Lester's bold and beautiful images make it an instant hit!

I happened to preview some of the pages online while sitting in a meeting at school. Another teacher, reading over my shoulder, burst into laughter. "What book is that?" she asked. "It looks hilarious!"

And it is! Its euphemisms, histories, and practical purposes make it a very serious study of human anatomy, and beyond its value as a read-aloud (plan to read it again and again!), I think it has the possibility to spark some interesting extensions in reading, writing, and science.

But, Keith, c'mon! What about its subject matter? What about the very topic of this book?

To respond, let me share a portion of a review by Thurston Dooley III in The Brooklyn Paper:

No doubt, there are parents who will worry that Bennett's endless repetition of the word "butt" in all its myriad forms - tuchas, fanny, bottom, heinie, rear - will encourage the youngsters to scream out "butt cheeks!" at inappropriate moments...

In actuality, The Butt Book will actually help remove the word's lingering shock value. For starters, Bennett plays it all for laughs, suggesting that we, not our keisters, are the ones with the butt problem because we are the ones who have "neglected" the butt.

"Funny and fantastic and appalling" also comes to mind for readers of The Worst-Case Scenario Survival Handbook: Gross Junior Edition. This handy guidebook, perfect for independent readers in grades three and up, features such entries as How to Cope with Nightmare Boogers, How to Tame a Beastly Burp, How to Tell if There's a Mouse in Your House, How to Prevent Pinkeye, and How to Survive a Skunk Encounter. And as they say on television, "But wait! There's more!" The edition concludes with Grossest Human Habits in History and Gross Practical Jokes.

I love that this book doesn't shy away from the gross topics, and actually addresses real-life problems that kids might encounter. But it does it in a fun way, employing nonfiction conventions such as headings, bullets, diagrams, charts, tables, and captions. If we had textbooks this engaging, we'd have a lot more straight A students!

Extension Activities

The Butt Book

I honestly love The Butt Book as a simple read-aloud. It's one of those read-alouds that is its own reward, and it's a book that kids will eagerly read on their own again and again. But if you're looking some extension activities, try these:

• Encourage students to work in small groups to write their own books celebrating other body parts (I highly recommend you choose the parts). There are several things to consider, including content, rhyme, and illustrations. You might choose to use Bennett's book as a model for structuring the original projects, noting with students that Bennett includes synonyms, histories, and practical purposes for the butt. If students are stymied for ideas to get started, have them use one of the resources below.
• Have students visit Wordsmyth, a handy dictionary and thesaurus, to look up a given body part to learn more about its use in American idioms. The entry word ear, for example, produced not only definitions, but also ear to the ground, play it by ear, wet behind the ears, and dog ear. Students can use these expressions to create a poster, mini-book, or digital application (such as Power Point or Photo Story).

• Another terrific way to learn about the use of body names in expressions is to search them using One Look. One Look is a neat dictionary that allows you to search for words and expressions that begin or end with a word. So when I entered the search term * ear, over a hundred results were returned, including bend someone's ear, easy on the ear, can't make a silk purse out of a sow's ear, cute as a bug's ear, music to my ear, swimmer's ear, and the War of Jenkin's Ear (yes, it involved an actual severed ear). For lower grades, the teacher might pick and choose expressions for student research; in sixth grade I'd send students there to look for themselves.
• Famous Quotes and other quotation sites are excellent resources for illustrations incorporating body parts. Students can include these in any of the above projects, or respond to them in writing prompts.
• Animal anatomy adapts itself to its environment. Rather than focusing on human anatomy, assign students to research animal anatomy and adaptations. Web sites like ESkeleton even let students compare similarities in anatomy of like species. Using a short, online game is a good way to get students thinking about unique bodily adaptations that help animals survive.

Miss Brooks Loves Books

Miss Brooks Loves Books is full of creative ideas for extension:

• Celebrate themed days and weeks, and encourage student participation through costumes, stuffed animals, and related items. I once read aloud at a Barnes and Noble, and encouraged all students attending to bring their teddy bears. They didn't know why, but they all did, and it made the audience-participation version of Going on a Bear Hunt a big hit!
• Host a Book Week. While Missy describes it as "truly terrifying," your students could find it amazingly awesome! Michael Emberly's illustrations should provide some ideas.
• Share more books about reluctant readers. Check out the list featured at Reading Rockets. Many students are comforted to know that they're not alone in their struggles with reading; these stories will inspire them to continue trying.

The Worst-Case Scenario Survival Handbook: Gross Junior Edition

The Worst-Case Scenario Survival Handbook: Gross Junior Edition encourages students to explore the gooey and gross, the smelly and slimy. Encourage student curiosity with these activities:

• Assign students a question about human health. Encourage research by providing resources such as KidsHealth. KidsHealth is a highly respected, reliable source for health information, and it features a kids section filled with videos, interactives, and Q&As all designed to answer students' most pressing health questions. KidzWorld is another student-friendly site featuring short articles on vomit and other gross yet necessary bodily functions, plus disgusting animal defenses.
• Encourage students to create their own entry for this Handbook. It is, after all, a handbook for surviving life's unexpected "nasties," so students might have their own topics to explore and expound upon. Some of the topics covered in the two sites above, or in sites that follow, may give students inspiration. Require also that they incorporate the same conventions found in The Worst-Case Scenario Survival Handbook, including titles, headings, bulleted or numbered lists, tables, diagrams, labels, illustrations, and text boxes.

• Explore the wonderful branch of science known as Scatology, or the study of feces. Seriously! Who Pooped is an amazing site which not only lets students solve the mystery of which animal pooped, but also describes (through a video segment) how zoologists use observations of feces to determine an animal's health. Students can even print out a certificate upon completion of the site's tasks.

• Into animal studies but want to steer clear of poop? The KidWings website allows students to virtually dissect owl pellets, the undigested masses of fur and bone regurgitated by these raptors. The latest version of this site makes pulling apart and sorting the pellet simple and educational. Interactive instructional pieces plus many teacher resources make this site an instant winner, high on the "cool" scale, low on the actual "gross" scale.

Additional Resources

Be sure to visit The Yuckiest Site on the Internet for both teacher and student oriented explorations into the gross, and check out Scholastic's recommendations for Icky, Creepy, and Just Plain Gross Science Projects.

Do you know of another site, or another book, to explore the disgusting wonders of our world? We would love to hear from you! Leave a comment below.

Ish

Ish
by Peter Reynolds

Universal Themes:
Creativity, Identity, Uniqueness

As five and six year-olds in kindergarten, children have a high opinion of themselves as artists. Ask a kindergarten class, "Who here is an artist?" and you'll be awash in a sea of eagerly waving hands. Over time, however, that opinion changes; some educational commentators, such as Daniel Pink, even argue that it's school's emphasis on "right answers" that is partially to blame for this.

Why is self-concept so important in learning? How large a part does a child's opinion of his or her abilities play in the risk-taking process?

That question is answered simply, skillfully, and lyrically in Ish by Peter H. Reynolds.

Before Reading Questions

• How many of you are artists? What are some of your favorite things to draw?
• How many of you think that your pictures are good enough to be in a museum?
• What is one thing you're really good at? Can you do that without ever making any mistakes? How should people react when they're not perfect at something?

Summary

Ramon loves to draw; he draws anything, anytime, anywhere. That is, at least, until a careless word from his brother makes him overly critical of his work, and he becomes less and less satisfied with his drawings. Because he can't be "perfect," he no longer enjoys what was once his greatest pleasure.

Then one day he notices his younger sister grabbing one of his discarded sketches. Chasing Marisol to her room, Ramon discovers that she has hung all of his crumpled works on her wall. "That was supposed to be a vase of flowers, " Ramon sighs, "but I couldn't get it right."

"Well, it looks vase-ISH!" Marisol exclaims.

Examining the drawings on her walls, Ramon begins to see them in a whole new way. "They do look... ish, " he says.

Feeling energized and less burdened to be perfect, Ramon begins to draw what he feels. "Thinking ish-ly allowed his ideas to flow freely." He also realizes now that he draw his feelings as well (Reynolds provides some exquisite examples of abstract feelings realized visually).

And Ramon lived ish-fully ever after.

After Reading Questions

• Why did Ramon have trouble drawing his pictures after his brother's comment? If you were Ramon, would you have reacted the same way? What could Ramon have said to his brother?
• What does Marisol mean when she says that the picture is vase-ISH"?
• What are some new ideas Ramon finds for his art once he starts to see the world in this new, an -ish way? Why hadn't he thought of these ideas before? (point out to students that his earlier work habits required that he always look at what he was attempting to draw)

About Peter H. Reynolds

Although you may not at first recognize his name, you do know Peter H. Reynold's work, including the Judy Moody books and the most recent reincarnations of the Fudge series by Judy Blume. Many of the extensions described below are drawn from his excellent official site as well as his FableVision media site.

Teachers and parents, you may also be interested to know that his many of his whimsical drawings are also offered as clip art at his North Star Resource Library.

Extension Ideas: Language Arts

• From Peter's official web site, have students choose one of his watercolors for a picture prompt. While you could assign the same picture to all students, I find that they feel greater ownership, and thus greater responsibility for the quality, when they choose their own picture.
• From his FableVision site, Peter offers some creativity tips in a section called Sparking the Creative Spirit. The ideas shared there may kindle an idea for you and your students.

Extension Ideas: Tech

• At FableVision, Peter has created a simple tutorial for working with Flash, the popular animation program. After students view Peter's animation of a tumbling boy, as well as a simpler animation created by a second grader, they can try the process for themselves.
• If you're looking for software that will inspire the -Ish in your students, you might consider Peter's own Animation-ish, the "world's easiest animation software program." Click on the link to check it out, and to see a free demo.

Other interesting Peter R. Reynolds links:

• For those who enjoy writing and illustrating, and may be considering a book for children, Peter gives some tips in the Strathmore Artist Newsletter (pdf download).

Wilfrid Gordon MacDonald Partridge

Wilfrid Gordon McDonald Partridge
by Mem Fox

Universal Themes:
Change, Connections, Discovery, Generations, Identity, Loss, Memory, Relationships

Before Reading Questions

• What do you think of when I say the word "warm"? How about the word "sweet"? How about the word "fun"?
• Why didn't we all share the same ideas for those words? Who heard someone else share an idea that you've never heard of, or never experienced?
• Why can we remember some things that happened to us when we were just three years old, but we can't remember what we had for lunch two weeks ago?

Summary

Wilfrid Gordon MacDonald Partridge lives next to an old folks' home, and he knows and loves each person there. That is why he is dismayed upon learning that his "favourite person of all" (note the Australian spelling of favorite) has lost her memory.

Wilfrid wonders what a memory is, and begins asking each of the residents of the home. One answers, "Something warm, my child, something warm," while another answers, "Something from long ago, me lad, something from long ago," and so on.

Intent upon giving Miss Nancy her memory back, Wilfrid collects items which he feels match the description of memory shared by his friends. (Something warm, for example, is a freshly laid egg).
When he shares his collection of gathered treasures with Miss Nancy, she remarks, "What a dear, strange child to bring me all these wonderful things." Then she starts to remember.

Each object retrieves from her memory a long forgotten pleasure, such as days at the beach, eggs found in nests, and a farewell to a brother off to war, whom she never saw again. And the final object helps her to recall the day she had first met this sweet little boy, and all the secrets they had shared.

After Reading Questions

• Why did each person tell Wilfrid a different answer when he asked, "What's a memory?"
• What other object could he have collected for something warm? Something that makes you cry? Something that makes you laugh?
• Why does Wilfrid like Miss Nancy the most? (She has four names, just like him). How else are Wilfrid and Miss Nancy alike?

Extension Ideas: Language Arts

• A day or two before sharing the book, ask each child to bring in a small object that holds a special memory for them. Have students write a short paragraph describing that memory. These can be shared aloud, or all of the objects can be displayed, and the teacher can read each description aloud (omitting the name of the object) and students can guess which object matches each description.
• Students can create simile poems describing favorite places. The ocean might be described as "salty as a pretzel," and the sand as "blinding as a light bulb." Or , the simile poems can deal with opposite sides of each student's personality. A student might write, "At school I am as quiet as a mouse, At home I am as loud as a tornado."
• Students can interview parents, grandparents, older uncles and aunts, or residents of a senior citizen's home. They can ask standard questions about favorite memories, or, keeping more in line with the book's theme, students can ask, "What was something warm you remember from when you were a child? What was something that made you laugh?" and so on.

Extension Ideas: Science

Conduct a memory experiment using Kim's Game.

• First, gather 30-40 common objects from home and the classroom. Arrange these objects on a table in the classroom and cover them with a tablecloth or blanket. Have students gather around and make some hypotheses about what might be under the blanket. What are some likely items? (kickball, scissors, rulers) What are some unlikely items? (the teacher's car, a classmate)
• Second, inform students that once the cloth is lifted they will have thirty seconds to look at (but not touch) all of the items on the table. They are to then go back to their desks and individually create a list from memory (and the tablecloth is again placed over the objects). Younger students might be paired with upper grade students or parents who can record their items quickly (and help recall them as well, if desired).
• Third, take a quick survey of how many items each child could recall. If the lists seem especially short, the teacher might provide memory-prompting questions such as, "Were there any items that were silver? Did any of the items have numbers on them?" These prompts can later lead to a conversation of how and why scientists categorize things into groups (reptiles, birds, mammals, etc.) based upon common criteria.
• Fourth, (and this is important!) have students draw a thick, dark line under the last object on their list. Then, tell students that they will now be placed into groups. Each group can share ideas, and students can add to their lists if they agree.
• Fifth, after some time sharing in groups, get together and debrief: "How many total objects could your group list? There were actually ___. Raise your hand if your group got at least ___. Great! Raise your hand if your group helped you to add some items which you couldn't remember. What does that tell us about working together? Now, let's see if we can recall what was under that blanket. Let's start with those objects I mentioned earlier, that had numbers on them. Who can tell me what they were? (watch, ruler, playing card) How about objects that were black and white, with no other colors? (domino, dice, Oreo cookie) And so on.
• Sixth, ask, "If we did this activity again, what could we possibly do so that we could remember more of the objects once they're covered up again?" What's fantastic about this activity is that it introduces, in a very concrete manner, scientific behaviors including hypothesizing, observing, recording, communicating, classifying, confirming, evaluating, and drawing conclusions.